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A Guy Called Gerald "I remember when you brought that record home; I was like WHAT is that?..." Mark Wallace My brother. (Hip-Hop connoisseur), was never given to acknowledging my record collection favourably, so him telling me this nugget of infomation, 35 years later, while curating the exhibition , is high praise indeed. "A Guy Called Gerald's, Voodoo Ray" is considered one of the most important and influential tracks in the history of club music, particularly in the late

Over and Over, time and time again… “You can’t be nobody’s lover You can’t be nobody’s lover’Til you’re somebody’s friend…” A refrain that cuts straight to the heart of friendship, love, intimacy, and the quiet endurance of bonds that last a lifetime. Over and Over  was released in 1986 on Warner Bros. Records , written by Patrick Cowley  and Sylvester , and produced by Cowley shortly before his death. Like much of Sylvester’s later work, the song strips disco back to somethi

Opinion Piece Shaun Wallace In London, Black queer individuals from the late 1970s used clubs as critical sites of gender experimentation and self-definition, long before academic theory had the language to describe them. Across basements, back rooms, and temporary dancefloor spaces, Black queer people were already living forms of gender fluidity, androgyny, and non-binary embodiment that sat outside dominant frameworks of the time. The spaces they created — shaped by migrati

Eric Robinson Composer, performer, hidden architect Eric Robinson is an American-born composer, pianist, arranger and performer whose influence quietly threaded through disco, soul and early dance music, even as his name often remained in the margins. A child music prodigy , Robinson’s talents were recognised early, leading to formative professional work in the United States and a contract with Motown Records , where his song-writing and arranging skills were honed. In 1980,

Melissa Morgan Released: July 1986 (as the third single from her debut album Do Me Baby ). Label: Capitol Records (Catalogue CL415 in the UK) according to Official Charts. UK Chart Performance: Peaked at #41  on the Official UK Singles Chart on 16 August 1986, with a five-week chart run. US R&B Chart: Reached #24 on the US Billboard R&B chart. In 1986, Meli’sa Morgan released Fool’s Paradise , a deeply soulful R&B single with a danceable groove that would resonate far beyond

Gwen Guthrie Label: PTG Records 1983 Sort: Artist CD Gwen Guthrie’s Padlock single from the eponymous album  is more than just a TUNE—it is a celebration of the Black queer community and the music that has emerged from these spaces. Through the contributions of a talented production team the record breathes life into the energetic, rebellious, and transcendent ethos found within them. Several names in the production team are integral to the shaping of Padlock , bringing bot

Artist:  Sylvester (Sylvester James Jr.) Album:   Sylvester  (Fantasy Records, 1977) Writers/Producers:  Ashford & Simpson (Nickolas Ashford and Valerie Simpson) Backing band:  The Hot Band Backing vocalists:  Two Tons O’ Fun (later known as The Weather Girls) “Over and Over” was written by the celebrated Motown duo Ashford & Simpson, whose gospel-infused soul compositions already carried emotional intensity. Sylvester’s version reimagined the song through a San Francisco dis

In the lead in to the exhibition, Shaun Wallace Selects Tracks that embody the energy and vibe of those magical nights of yore . Young Soul Rebels – Mica Paris (1991, Island Records) Released in 1991 on Island Records, Young Soul Rebels  stands as one of Mica Paris’s most understated yet resonant recordings. Written for the soundtrack to Young Soul Rebels , the track operates less as a conventional pop single and more as an atmospheric companion to the film’s world— rooted in

In this specially commissioned article, Valerie Mason John describes the social conditions that led to the early clubbing movements before those featured in the exhibition Author: Valerie (Vimalasara) Mason-John. The social and political landscape of 1970s and 80s Britain was not merely a backdrop for Afro-Caribbean and African communities; it was an active, oppressive force. The state weaponised the now-infamous SUS laws—"Suspect Under Suspicion"—granting police the power to

In the vibrant heart of London's Soho district, a celebration of Black Queer Clubland is set to take centre stage with the unveiling of a ground-breaking project. This initiative, spanning from 1979 to 2021, is a testament to the rich cultural tapestry woven throughout the city's nightlife scene. 1993 SEX @ Café de Paris. Photograph: Dave Swindells REUNION 79:21 is not just an exhibition; it's a bold statement of artistic and historical significance. Through a carefully cura